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Robert McConnell Heritage Oriental Square 50g
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Oriental Square 50g
Price
Amount
Unit
Wird oft zusammen bestellt
Ein hoher Anteil reifer, dunkler sowie gelber Virginias, vereint mit Latakia- und Orient-Blattgut. Wundervolle Balance, sanft im Geschmack, mit floraler und dezent rauchiger Note.
Item number (SKU)
90023103
In the assortment since
06.09.2018
Brand
Cut
Aroma
3
Room fragrance
3
Flavouring
type
Strength
Flavor Profile
Raw tobacco
room smell
Average Aroma Rating (4)
Importer
Kopp Tobaccos GmbH & Co. KG, Hans-Löns-Weg 36, 25462 Rellingen, info@kopp-tobaccos.com, https://kopp-tobaccos.com
Kopp Tobaccos GmbH & Co. KG, Hans-Löns-Weg 36, 25462 Rellingen, info@kopp-tobaccos.com, https://kopp-tobaccos.com
Customers who looked at this product bought the following thereafter
Ratings
Price/Value
5
4 Bewertungen
Quality
7
4 Bewertungen
Strength
5
4 Bewertungen
My tobacco stash
Dr. Magill
1. Introduction: With Oriental Square, Robert McConnell (now under the stewardship of Messrs Kopp in Germany) positions within its Heritage Line a mixture that consciously situates itself in the grand tradition of the classic English Balkan blends. Conceived and manufactured by Messrs Kopp, this tobacco is deliberately fashioned as a stylistic and sensorial evocation of the legendary Dunhill’s Durbar - a mixture withdrawn from the market in 2018, yet long regarded by discerning smokers as a benchmark of the well-balanced, Oriental-leaning English style. The composition adheres to the classical English - here more precisely, Balkan - triad: mature Virginias provide the structural foundation; fine Oriental tobaccos contribute spice, fragrance, and ethereal complexity; and a judicious measure of Cypriot Latakia lends depth and contour, never asserting itself to the point of dominance. 2. Appearance & Cut: Upon opening the vacuum-sealed tin, the tobacco presents itself in a classic ribbon cut, predominantly of medium breadth, neatly processed and of consistent length. Chromatically, the spectrum ranges from the pale to olive-tinged straw-yellow hues of the Orientals, through the warm golds and coppers of the Virginias, to the darker, near-black inclusions of the Latakia. The visual impression is one of order and restraint, bespeaking traditional craftsmanship rather than modern affectation. 3. Tin Aroma: The tin note already discloses the governing idea of the blend. A gentle, natural sweetness derived from the Virginias opens the bouquet, swiftly accompanied by floral, lightly tart, and delicately spicy nuances from the Oriental tobaccos. The Latakia speaks softly: smoky, dry, faintly resinous - more suggestion than proclamation. The aroma as a whole is dry and cultivated, recalling leather-bound volumes, desiccated herbs, and a fleeting breath of cedarwood. Those anticipating an assertive Latakia-forward mixture will, at this early stage, be politely corrected of such expectations. 4. The Course of the Smoke: The Opening: The smoke commences softly and agreeably. The Virginias furnish a rounded, almost creamy basal sweetness, which never lapses into cloying honeyed tones. The Oriental tobaccos enter early, offering a freshness that is at once citrus-inflected, floral, and ethereally piquant. The darker, smoky Latakia remains in the background, functioning more as a frame than as a protagonist. The Middle: In the central portion of the bowl, Oriental Square unfolds its full complexity. The Oriental tobaccos gain further prominence, now displaying spicier, herbaceous, and faintly mineral facets, while the Virginias withdraw their brighter sweetness in favour of a warmer, more substantial body. Latakia contributes a denser, balsamic smokiness, yet never overwhelms. Herein lies the true strength of the blend: a sustained and tension-rich counterpoint between sweetness, spice, and smoke. The Finish: Towards the conclusion, the Virginias once more assume the foreground, now darker in expression, fig-like, and reminiscent of fruit-laden bread. The Latakia settles gently over the ensemble, imparting a soft, smoky valediction. Bitterness or sharpness is absent, provided the smoker maintains a measured pace. The aftertaste is long and dry, without any descent into acridity. 5. Combustion & Technique: From a technical standpoint, Oriental Square behaves impeccably. It is easily packed and burns evenly throughout the bowl. Moisture accumulation is minimal, as is any tendency toward tongue bite - assuming, of course, that it is smoked with due composure. The blend rewards a deliberate cadence and penalises haste by the forfeiture of its finer Oriental subtleties. 6. Room Note: The room note is pronounced and classically English, yet never intrusive. It combines a spicy, faintly “stable-like” character with a moderately smoky, woody presence, underpinned by a gentle, sweet undertone. In quiet surroundings, the aroma may linger and roam - a fitting companion to contemplative evenings, though less suited to confined or tobacco-averse company. 7. Comparison & Contextualisation: When set beside other classic Oriental-forward English mixtures, Samuel Gawith’s Skiff Mixture naturally presents itself as a point of reference. Both blends share a clear emphasis on Oriental tobaccos, yet pursue distinctly different stylistic ideals: The Skiff Mixture strikes me as the stricter and more angular of the two. Its Orientals tend to appear almost solistically, marked by sharper acidity, more pronounced ethereal pungency, and a drier spiciness. Virginias serve chiefly as a carrier, while Latakia remains a very slender, smoky line. The overall effect is nearly ascetic. Oriental Square, by contrast, appears more balanced and cultivated. Its Orientals are equally evident, yet integrated within a harmonious overall structure. Historically speaking, one might say that the Skiff Mixture embodies the more purist, rustic Balkan approach, whereas Oriental Square reflects the more elegant English salon tradition - one that also found expression in its exemplar, Dunhill’s Durbar. 8. Suitability & Recommendation: Oriental Square is addressed to the discerning pipe-man who values subtle nuance and regards moderation as a virtue. It is admirably suited as an all-day blend for devotees of classic Balkan-style English mixtures, yet equally rewarding as a deliberate indulgence in the afternoon or early evening. For admirers of heavy Latakia-forward mixtures it may prove too restrained; for dyed-in-the-wool aromatic smokers, too tobacco-authentic and austere. For the tradition-minded pipe enthusiast, however, it stands as a cultivated and historically resonant companion. 9. Conclusion: Robert McConnell’s Oriental Square is a masterfully composed blend that carries the old English Balkan tradition into the present day: balanced, complex, and yet accessible. Its strength resides in the finely articulated equilibrium between sweet, floral, and smoky elements, unfolding throughout the entire course of the smoke to yield a satisfying and classically proportioned experience. Those who appreciate the subtle dialogue between Virginia, Oriental, and Latakia will find here a worthy and tradition-honouring companion. As a modern heir to the lamented Dunhill’s Durbar, it offers genuine consolation for that venerable blend’s passing.
19.02.2026
Dr. Magill
Verified purchase
1. Introduction: With Oriental Square, Robert McConnell (now under the stewardship of Messrs Kopp in Germany) positions within its Heritage Line a mixture that consciously situates itself in the grand tradition of the classic English Balkan blends. Conceived and manufactured by Messrs Kopp, this tobacco is deliberately fashioned as a stylistic and sensorial evocation of the legendary Dunhill’s Durbar - a mixture withdrawn from the market in 2018, yet long regarded by discerning smokers as a benchmark of the well-balanced, Oriental-leaning English style. The composition adheres to the classical English - here more precisely, Balkan - triad: mature Virginias provide the structural foundation; fine Oriental tobaccos contribute spice, fragrance, and ethereal complexity; and a judicious measure of Cypriot Latakia lends depth and contour, never asserting itself to the point of dominance. 2. Appearance & Cut: Upon opening the vacuum-sealed tin, the tobacco presents itself in a classic ribbon cut, predominantly of medium breadth, neatly processed and of consistent length. Chromatically, the spectrum ranges from the pale to olive-tinged straw-yellow hues of the Orientals, through the warm golds and coppers of the Virginias, to the darker, near-black inclusions of the Latakia. The visual impression is one of order and restraint, bespeaking traditional craftsmanship rather than modern affectation. 3. Tin Aroma: The tin note already discloses the governing idea of the blend. A gentle, natural sweetness derived from the Virginias opens the bouquet, swiftly accompanied by floral, lightly tart, and delicately spicy nuances from the Oriental tobaccos. The Latakia speaks softly: smoky, dry, faintly resinous - more suggestion than proclamation. The aroma as a whole is dry and cultivated, recalling leather-bound volumes, desiccated herbs, and a fleeting breath of cedarwood. Those anticipating an assertive Latakia-forward mixture will, at this early stage, be politely corrected of such expectations. 4. The Course of the Smoke: The Opening: The smoke commences softly and agreeably. The Virginias furnish a rounded, almost creamy basal sweetness, which never lapses into cloying honeyed tones. The Oriental tobaccos enter early, offering a freshness that is at once citrus-inflected, floral, and ethereally piquant. The darker, smoky Latakia remains in the background, functioning more as a frame than as a protagonist. The Middle: In the central portion of the bowl, Oriental Square unfolds its full complexity. The Oriental tobaccos gain further prominence, now displaying spicier, herbaceous, and faintly mineral facets, while the Virginias withdraw their brighter sweetness in favour of a warmer, more substantial body. Latakia contributes a denser, balsamic smokiness, yet never overwhelms. Herein lies the true strength of the blend: a sustained and tension-rich counterpoint between sweetness, spice, and smoke. The Finish: Towards the conclusion, the Virginias once more assume the foreground, now darker in expression, fig-like, and reminiscent of fruit-laden bread. The Latakia settles gently over the ensemble, imparting a soft, smoky valediction. Bitterness or sharpness is absent, provided the smoker maintains a measured pace. The aftertaste is long and dry, without any descent into acridity. 5. Combustion & Technique: From a technical standpoint, Oriental Square behaves impeccably. It is easily packed and burns evenly throughout the bowl. Moisture accumulation is minimal, as is any tendency toward tongue bite - assuming, of course, that it is smoked with due composure. The blend rewards a deliberate cadence and penalises haste by the forfeiture of its finer Oriental subtleties. 6. Room Note: The room note is pronounced and classically English, yet never intrusive. It combines a spicy, faintly “stable-like” character with a moderately smoky, woody presence, underpinned by a gentle, sweet undertone. In quiet surroundings, the aroma may linger and roam - a fitting companion to contemplative evenings, though less suited to confined or tobacco-averse company. 7. Comparison & Contextualisation: When set beside other classic Oriental-forward English mixtures, Samuel Gawith’s Skiff Mixture naturally presents itself as a point of reference. Both blends share a clear emphasis on Oriental tobaccos, yet pursue distinctly different stylistic ideals: The Skiff Mixture strikes me as the stricter and more angular of the two. Its Orientals tend to appear almost solistically, marked by sharper acidity, more pronounced ethereal pungency, and a drier spiciness. Virginias serve chiefly as a carrier, while Latakia remains a very slender, smoky line. The overall effect is nearly ascetic. Oriental Square, by contrast, appears more balanced and cultivated. Its Orientals are equally evident, yet integrated within a harmonious overall structure. Historically speaking, one might say that the Skiff Mixture embodies the more purist, rustic Balkan approach, whereas Oriental Square reflects the more elegant English salon tradition - one that also found expression in its exemplar, Dunhill’s Durbar. 8. Suitability & Recommendation: Oriental Square is addressed to the discerning pipe-man who values subtle nuance and regards moderation as a virtue. It is admirably suited as an all-day blend for devotees of classic Balkan-style English mixtures, yet equally rewarding as a deliberate indulgence in the afternoon or early evening. For admirers of heavy Latakia-forward mixtures it may prove too restrained; for dyed-in-the-wool aromatic smokers, too tobacco-authentic and austere. For the tradition-minded pipe enthusiast, however, it stands as a cultivated and historically resonant companion. 9. Conclusion: Robert McConnell’s Oriental Square is a masterfully composed blend that carries the old English Balkan tradition into the present day: balanced, complex, and yet accessible. Its strength resides in the finely articulated equilibrium between sweet, floral, and smoky elements, unfolding throughout the entire course of the smoke to yield a satisfying and classically proportioned experience. Those who appreciate the subtle dialogue between Virginia, Oriental, and Latakia will find here a worthy and tradition-honouring companion. As a modern heir to the lamented Dunhill’s Durbar, it offers genuine consolation for that venerable blend’s passing.
Tobis Pfeifentabak
Strandkorbgedöns Also kurz gesagt: Wer Orienttabak mag, der wird diesen Tabak lieben, denke ich, sehr intensives Aroma, eukalyptusartig, zitrisch, holzig, einprägsam möchte ich sagen. Ein grundsolider Tabak, der einfach kräftig und geschmackvoll ist.
04.08.2021
Strandkorbgedöns Also kurz gesagt: Wer Orienttabak mag, der wird diesen Tabak lieben, denke ich, sehr intensives Aroma, eukalyptusartig, zitrisch, holzig, einprägsam möchte ich sagen. Ein grundsolider Tabak, der einfach kräftig und geschmackvoll ist.
Lieferung Mai 2021
sven_bommel
Die Verarbeitung des Tabaks entspricht dem hohen Preis voll, es gibt keinen einzigen Strunk, mittelbreiter Schnitt, kaum Brösel. Aus der Verpackung kommt der Tabak ehr trocken. Den Geruch dominieren Brot, Säure, Würze, Rauchigkeit und feuchter Boden. Der Rauch auf der Zunge ist hingegen süß, fast cremig. Es entsteht ein satter Rauch. Anzündverhalten wie zu erwarten gut möglich, der Abbrand besteht aus feiner weißer Asche. Für die Umgebung ist der Geruch wenig tolerierbar.
23.07.2021
sven_bommel
Verified purchase
Die Verarbeitung des Tabaks entspricht dem hohen Preis voll, es gibt keinen einzigen Strunk, mittelbreiter Schnitt, kaum Brösel. Aus der Verpackung kommt der Tabak ehr trocken. Den Geruch dominieren Brot, Säure, Würze, Rauchigkeit und feuchter Boden. Der Rauch auf der Zunge ist hingegen süß, fast cremig. Es entsteht ein satter Rauch. Anzündverhalten wie zu erwarten gut möglich, der Abbrand besteht aus feiner weißer Asche. Für die Umgebung ist der Geruch wenig tolerierbar.
Pfeifenbutze
Ananas Nicht mein Fall. Er ist sehr würzig und raucht sich trocken. Virginia und Latakia kämpfen auf einem Bett von Orient/Türkischen Tabaken. Die Würze ist mir persönlich etwas zu viel, aber er ist sowohl gut verarbeitet als auch gut zu stopfen und im Abbrand.
25.09.2020
Ananas Nicht mein Fall. Er ist sehr würzig und raucht sich trocken. Virginia und Latakia kämpfen auf einem Bett von Orient/Türkischen Tabaken. Die Würze ist mir persönlich etwas zu viel, aber er ist sowohl gut verarbeitet als auch gut zu stopfen und im Abbrand.
